Aisha Harrison
Home
Bodies of Work
Current Sculpture
Woman with Graves at Her Back
How It's Held Series
To Name a Few Project
How It's Held
Clay & Salt
Beginning to End
Restive
If Only
All the Tests Didn't Prepare Me for This
It Comes in Threes
Ready
Bearing
Contours of Belonging
Inner Circle
Cowboy
Leaner
Big Guy
Proximity
Potential
Graduate Work
Black, White, Brown
Connect
Served
Decision
The Slip
The Sleeper
Entangled
Detached
Hair Box
The Search for "Good Hair" Series
Untitled
Testing
Tacoma Seeds Project
Artist Statement
Links/Media
Bio
CV
Black Well Red Thread Collective
Contact
Aisha Harrison
Home
Bodies of Work
Current Sculpture
Woman with Graves at Her Back
How It's Held Series
To Name a Few Project
How It's Held
Clay & Salt
Beginning to End
Restive
If Only
All the Tests Didn't Prepare Me for This
It Comes in Threes
Ready
Bearing
Contours of Belonging
Inner Circle
Cowboy
Leaner
Big Guy
Proximity
Potential
Graduate Work
Black, White, Brown
Connect
Served
Decision
The Slip
The Sleeper
Entangled
Detached
Hair Box
The Search for "Good Hair" Series
Untitled
Testing
Tacoma Seeds Project
Artist Statement
Links/Media
Bio
CV
Black Well Red Thread Collective
Contact
Bodies of Work
>
How It's Held
Threads
print, chalk pastel
12"x18"
2018
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