Aisha Harrison
Home
Bodies of Work
Current Sculpture
Woman with Graves at Her Back
How It's Held Series
To Name a Few Project
How It's Held
Clay & Salt
Beginning to End
Restive
If Only
All the Tests Didn't Prepare Me for This
It Comes in Threes
Ready
Bearing
Contours of Belonging
Inner Circle
Cowboy
Leaner
Big Guy
Proximity
Potential
Graduate Work
Black, White, Brown
Connect
Served
Decision
The Slip
The Sleeper
Entangled
Detached
Hair Box
The Search for "Good Hair" Series
Untitled
Testing
Tacoma Seeds Project
Artist Statement
Links/Media
Bio
CV
Black Well Red Thread Collective
Contact
Aisha Harrison
Home
Bodies of Work
Current Sculpture
Woman with Graves at Her Back
How It's Held Series
To Name a Few Project
How It's Held
Clay & Salt
Beginning to End
Restive
If Only
All the Tests Didn't Prepare Me for This
It Comes in Threes
Ready
Bearing
Contours of Belonging
Inner Circle
Cowboy
Leaner
Big Guy
Proximity
Potential
Graduate Work
Black, White, Brown
Connect
Served
Decision
The Slip
The Sleeper
Entangled
Detached
Hair Box
The Search for "Good Hair" Series
Untitled
Testing
Tacoma Seeds Project
Artist Statement
Links/Media
Bio
CV
Black Well Red Thread Collective
Contact
Bodies of Work
>
Clay & Salt
Coming Together
Clay, Salt
2016
Cover
Clay, Salt
2016
In Our Bones
Clay, Salt
2015
Accumulation
clay, salt
2013
Accumulation back
2013
Lens
clay, salt, mixed media
2013
Cleanse
clay, salt
2013
The Deposit
clay, salt
2013
Dismissal
clay, salt
2013
Discovery
clay, salt
2013
Lapse
clay, salt
2013
Residue
clay, salt
14” H x 23” W x 18” L
2013
Realization
clay, salt
9"x26"x 11.5"
2013
Shielded
Clay, salt
16" H x 8" W x 25" L
2013
Dissolve
clay, salt
2013
Dissolve Detail
clay, salt
42" x 36" x 64"
2013